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Literacy Narrative
as a student of writing instruction
(autoethnographic)

Your autoethnographic literacy narrative should tell stories of your experiences learning to write that include or are followed by your analysis of both pedagogical method and the social, cultural, and economic circumstances of your schooling.

Analyze the way you were taught and be truthful with the stories even if they contradict (or reinforce) established theories of and approaches to writing pedagogy that we are learning about in our class.

Draw on the strengths of the technology platform you are working with to organize and present your final product.

Your narrative can be inclusive of early pre-school experiences and run up through college to the present. Or, you can focus on a period or periods that you think was crucial. Since you are planning on becoming a secondary school teacher, middle school / high school is obviously an area to consider carefully.

 

You may be inspired to look back over old pieces you have written, talk to friends, parents, and former teachers as you return in your memory to your experiences with writing. This is a "multigenre" paper; feel free to include samples of your writing or teacher assignments, interviews with teachers, parents or classmates, recreated dialogue, poetic expression/analysis, memories, illustrations, reportage, etc.

 

One purpose of the exercise is to "know thyself" so that when you draw on your own student experience as you become a teacher of writing you will act in a highly conscious way, making careful choices and recognizing the diversity of the students you will teach.

Your narrative should have an ethnographic dimension. Focus not only on yourself but try to remember/research what was happening to other students in the class or in other classes/tracks or how your social community might have been unlike what others experience (rural/urban/suburban, poor/wealthy/middle class, monoethnic/multicultural, etc.). Exploring the way ability grouping / tracking effected your education is often one of the best ways to look at the influence of social and economic factors on the way you were taught.

I think you could and should write at length on this topic, yet, given the time and expectations of the course, I would consider the equivalent of fifteen double spaced pages a satisfactory minimum length. Of course the final draft should be well-edited, fantastically presented using a new technology platform, and integrate video and additional on-line tools.

 

Include a diversity of genres, and show that you know these genres well. Genres such as:

1) memoir 7) letters
2) poetry 8) teacher paper comments
3) recreated dialogue 9) film /book review
4) images 10) diary / blog entry
5) video / podcasts 11) instant message chat
6) metacognition 12) many more genres!

Technology Platforms:

1) Weebly (Additional website resources for future teaching: Webnode, Google sites, Webs)

2) Wikispaces (Additional wikis for future teaching: Wikidot)

3) WordPress, Blogger, LiveJournal (Choose one, Blogger may be easiest, Word Press most flexible)

4) Glogster

5) Prezi

6) Wix (challenging, but looks potentially interesting)

Use at least 3 with your platform (challenge yourself!):

Xtranormal, Voice Thread, YouTube.com, Animoto, IMovie, Audio Boo, Google Ajaz Feed, Illuminated Text (inspirational time at Born Magazine), Red Room, Tagxedo, Wordle, Erasure, AfterTheDeadline, Acrobat, FreeForums.org, Nicenet, mind meister, bubbl.us, Pikistrips, StripCreator.com, Webspiration, Google Documents, Zoho Writer, Good Reads, Poll Everywhere, Empresser, SpringNote, Celtx, Twitter, Facebook, Comic Creator, Literary Worlds, Second Life -- and so many more.

For ideas check out the work by former students below, also you might look at Jen Heymoss's website, Mashable on On-Line Writing Toolbox.

Learning new technologies can create challenges -- you will be clever enough to solve them, I am sure! Check out the technology challanges faced by my Norwegian ancestors:

 

 

Autoethnographic Literacy Narratives

Summer 2013 Summer 2012 Summer 2011 Summer 2010

Allison Boike

Bethany Doorlag

Lisa Eckardt

Emily Eshuis

Lex Everson

Eunkyoung Kwon

Susan Pendleton

Danielle Reese

Mary Schwartz

Jim Shoesmith

Jordan Stoyek

Kelli VanSchoick

Jen Wiley

Karen Willis

 


 


Ellen Bell

Sara Carroll

Misael Castillo-Jimenez

Sarah Cavis

Chelsea Holmes

Sam Howard

Cassandra Hughes

Jeanine Kemmer

Tom Kimble

Jodi Kiplinger

Matt Krieger

Chelsea Lupenec

Karin Lynch

Kelsey McClure

Linda Miller

George Sachse

Tiffany Stommen

Alexa Surdell

Jason Bushong

Amanda Chiotti

Holly Jarjosa

Sarah Marshall

Will Matthews

Irene Mayfield

Meghan McWalter

Paige Oshea

Emily Pannecouk

Gail Rogers

Emily Snitgen

 

 



 

 

 

 

Andra Newington

Briana Murphy

Carly Fricano

Cody Piechocki

Cornell Lloyd

Holly Bruning

Jennifer Delaphiano

Joe Law

Kendra Grieser

Megan Emerson

Paul Bach

Sarah Fox

Stephanie Bertuca


 


 

 

Created by: allen.webb@wmich.edu
Revised Date: 5/13